After a few years, he was sent to work for Peter Paul Rubens, the only other artist of the time with a name to compete with van Dyck. The experience of working for and with Rubens was immensely stupendous for Anthony, even then at a relatively young age. Although he did undoubtedly learn a lot, he spent his life defending his honor as "not a pupil" under Rubens, but an assistant, an associate. He was already an experiences and learned and notable artist by the time he was working with Peter Paul Rubens. From 1620-1628 van Dyck traveled from London, to Italy, and around some within the countries, working and painting as he went. From 1628 - 1632 he spent most of his time in Antwerp. In those years, van Dyck learned a priceless lesson of toning down his Flemish stylistic painting, the robustness of a Flemish painters piece. He focused on elegance, detail, and refinement. This was a lesson that took him some time to learn and perfect, but it stayed with him for the remainder of his years as a painter. van Dyck was not only an inspiration to his follower Cornelis Galle, but a huge inspiration to artists all the way up through the twentieth century, and even now. Though he was robbed of being an old man, and died in 1641 at the age of 42, he did produce some wonderful pieces before he passed on.
This one, entitled Charles I in 3 Positions, was painted between 1635 and 1636 while van Dyck was in London
This one entitled Jupiter and Antiope, was painted in 1641.
And this one of the same mythical, heavenly style, is called Cupid and Psyche and it was painted in 1640.
And this one,
Entitled The Triumph of Peace, ca. 1612-1655. This is another engraving of a very religious sentiment.
No comments:
Post a Comment